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Top 5 From #SXSW

11 Mar

 

South by SouthWest (SXSW), the burgeoning interactive festival which takes place each year in Austin, Texas, comes to an end tomorrow. This is the creative technology festival which gave birth to Twitter and Foursquare, amongst others. Marketers, programmers, entrepreneurs and venture capitalists from across the globe descend on it each year to network, find the next big thing, promote their products and swap ideas.

 

Unlike other ‘technology festivals’ such as CES and Mobile World Congress, SXSW has long been about the business of selling ideas rather than devices – the emotional benefits of technology rather than the functional. This year it seems there has been a shift, with more and more ‘product ‘ being at the heart of the innovation. The New York Times suggests that this shift is because the likes of Kickstarter, the crowdsourced start-up investment platform, have made is easier to get funding for product proto-types. Certainly the advent of  affordable 3D printing (this indexed very hightly at SXSW this year) and low cost functional products like Berg’s Little Printer have made producing high quality media and components possible.

 

Each year there are multiple talking points to come out of the festival – not necessarily ground-breaking new advancements in tech, but quite often big brands/ agencies looking to use technology in a new way to drive some talkability or kudos amongst the early adopters.

 

Last year, controversy was caused by ad agency BBH Labs making mobile WiFi hotspots out of the local homeless people. Members of the public could identify their locations, approach them and hook up to their WiFi signal to use apps or download information – all for a small contribution to the host carrier.

 

This year, so far there doesn’t seem to be a stand-out moment, but here’s a round up of some of the more notable, or peculiar, things to have happenned:

 

CUTEST ANIMAL: Cats have been all the rage of the internet over the last couple of years, and this SXSW was no exception. Behold Grumpy Cat, who took up residence in the Mashable Tent on the first day and managed to travel across the internet (again)as people had their picture taken with him. Grumpy Cat started life as an internet meme on the meme-incubator Reddit, so his appearacne at SXSW was something of a red carpet moment

 

BEST USE OF SOCIAL MEDIA:  Word from ‘South by’ veterans tells that the only way to get around the festival is by bike. Hence Razorfish’s deployment of a small fleet of Tweeting Bikes seems to have been a shrewd move. The bikes were left around the campus and were free to use. Using the hashtag #UseMeLeaveMe the bikes automatically tweeted their location to festival-goers who were then allowed to use the bikes to complete their onward journey before leaving it for someone else.

MOST RANDOM VENTURE CAPITALIST: In the same vein as stars like Will.I.am muscling in on the tech world, ex-NBA superstar Shaq O’Neal announced he would be patrolling SXSW looking for a cool idea to plough his money into. Ambitious ideas on basketball boots that tweeted when the ball was coming, a fuelband that vibrated to remind you to take your growth hormones and an app that generated random urban hip-hop names to name your kids were allegedly all turnd down. In fairness to Shaq, he does have a good record of investments and his use of social media is exemplary: “The way I use it [Twitter] is 60 percent to make you laugh, 30 percent to inspire you, and 10 percent to sell product and promote myself.” ROLF.

 

BEST LONDON BOROUGH TO MAKE AN APPEARANCE: God Bless Hackney. Ever since Silicon Roundabout landed on its doorstep, it has had an ego boost. This year it took its experiential outfit, Hackney House (last seen during the Olympics), to Austin to promote its reputation as a creative hub. Hackney youths and ‘hoodies’ were decided not best representative of London so were left at customs.

 

ODDEST CONCEPT: This one goes to Doritos, who created the #BoldStage, a seeming attempt to cram as many zeitgesit ideas into one concept. It’s a huge vending machine, that acts as a stage showcasing cool urban musical acts, that also allows consumers to control the content, pyrotechnics and visuals via Twitter. But it doesn’t dispense massive bags of Doritos. #Fail?

 

Tip of the hat to the Guardian newspaper in the UK who, having identified that hipsters in London all live in Dalston, now decided that the hipsters at SXSW needed to feel the wrath of their irony. They created this Hot Phrase Generator to  coin the next big thing in phrasology. It’s actually quite good.

 

 

FInally – here is day two of SXSW in numbers  -an infographic that shows the breakdown metrics of the festival. Any surprise that most mentioned food was ‘BBQ,  Beer, Tacos’?

Speed Up – Genius at Play

17 Mar

Now that all the beardy types have paused for breath after another SXSW and Austin’s homeless people have gone back to just being homeless again, it is worth highlighting another recent initiative which had innovation at the heart – this one a little closer to home.

A couple of weekends ago, The Urgent Genius Weekender 2 kicked off. This is not, as the name may suggest, a horrific weekend of debauchery in a Butlin’s park somewhere on the coast, but a weekend of ‘spontaneous’ but somehow ‘organised’ creativity. The Urgent Genius operation is to be admired. Set up in 2010, it is an innovative off-shoot of Iris. Tasked with tracking the ‘Power of Real Time Creativity’, it collates and collects some of the most talked about and powerful content on the internet, curating it and inviting each piece to be voted on. The Urgent Genius Weekender is an open call to all creatives to join forces (in teams) to newsjack – produce a piece of content around a newsworthy or viral subject, and get that piece of content talked about, looked at, shared, commented upon etc. The content with the most views at the end of the competition in the winner. It is a real time response to existing internet memes and it is one of the new forms of communication that uses the new weapons of the comms trade – video and social media. Participants get together, pick a newsworthy topic and, within 48 hrs, produce a piece of film which reacts to that topic, hoping to add further talking points to an already popular item and get cut-through for their own piece of content – which will usually look to provide a humourous or irrevrant interpretation of that event. Teams consist of traditional and non-traditional practitioners – social media experts, creatives, data coders and beyond. The winner has not yet been announced, but here is my favourite – a re-working of the Guardian Three Little Pigs advert (which I previously blogged about) for the purposes of The Sun newspaper – ‘Tits, pedos, football’. It’s very funny.

Newsjacking is something that will be around for some time and is on the rise. It is a very relevant and clever way for a piece of content to become talked about. Unlike most traditional PR stories or campaigns, newsjacking capitalizes on an existing ground-base of momentum and exploits this awareness to get its own content looked at. Relatively speaking, content can be cheap to produce and the results can be huge – hundreds of thousands of eyeballs across the internet. At its heart is creativity, but PR’s are well placed to add value to the cause as, in this game, media nous counts for everything. Half the job is seeding the content online, amplifying it via social media and getting the mainstream media to pick up on it – something we PR’s believe ourselves experts at. The real genius comes when content can be produced not reactively in response to events, but pro-actively. Again, one of the talents of any good PR person is to predict what the media will be talking about in advance, and how they might want to talk about it. Producing content with this in mind is probably the holy grail – but then probably wouldn’t be called news-jacking (news-cracking?).

Still, if this is to become a proper client service (in PR) one of the big challenges is to get the client’s messages built into the content. Firstly it takes a brave client to actually sign off any piece of work like this. It goes against all their natural instincts – by pressing the button they effectively sign over control of the project. The brand must be right to do this – ideally it should be young, dynamic and edgy, not a lumbering, corporate giant who would have too much at stake. Generally the latter cannot relinquish control.

One of my favourite things about Urgent Genius comes from their sizzle reel video explaining what they do. Their message to potential clients is basically this: ‘once we’ve produced the content, we’ll meet you for breakfast the next day to show it to you and you had better bring your lawyers (to sign it off)’. That is pretty much the attitude that needs to exist if this type of communication is to take off within the mainstream PR trade and I don’t see why it shouldn’t. Newspapers in print will eventually die and with nearly half of all tweets containing links to content, plus the prediction by Google recently that within 4 years 80% of all internet traffic will be video, the future has to be in creative content like this – use it or lose it.

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